Break Dancing Origin

She sports a nose-ring and duppat (a scarf worn by South Asian women) along with the latest fashion in slinky club wear; he's decked out in Tommy gear. Their moves on the crowded dance floor, blending Indian film dance with break-dancing, attract no particular attention. They are just two of the hundreds of hip young people who flock to the desi (i.e., South Asian) party scene that flourishes in the Big Apple. New York City, long the destination for immigrants and migrants, today is home to the largest Indian American population in the United States. Coming of age in a city remarkable for its diversity and cultural innovation, Indian American and other South Asian youth draw on their ethnic traditions and the city's resources to create a vibrant subculture. Some of the city's hottest clubs host regular banghra parties, weekly events where young South Asians congregate to dance to music that mixes rap beats with Hindi film music, bhangra (North Indian and Pakistani in origin), reggae, techno, and other popular styles. Many of these young people also are active in community and campus organizations that stage performances of "ethnic cultures." In this book Sunaina Maira explores the world of second-generation Indian American youth to learn how they manage the contradictions of gender roles and sexuality and how they handle their "model minority" status and expectations for class mobility in a society that still racializes everyone in terms of black or white. Maira's deft analysis illuminates the ways in which these young people bridge ethnic authenticity and American "cool.

Robert Rauschenberg, one of the most prolific and influential artists of the postwar period, has created an astonishing variety of works during a career spanning more than fifty years. To illuminate the meaning of Rauschenberg's art and the reasons behind his artistic choices, Robert Mattison in this book focuses closely on a small selection of the artist's projects. Mattison offers an interpretation of Rauschenberg's output that is both original and uniquely insightful, based on extensive research and first-hand observation of the artist at work in his studio. Like Rauschenberg's own work, the book ranges across a variety of disciplines. Mattison relates the artist's output to the visual arts, politics, technology, dance, urban theory, and other intriguing contemporary issues. The book examines Rauschenberg's working process, the effect of his dyslexia on his art, his seminal Combine paintings of the 1950s, fascination with the "space race," and collaboration with well-known choreographer Trisha Brown. A final chapter explores the art Rauschenberg exhibited in Chile during the dangerous and repressive rule of dictator Augusto Pinochet.

Shingle dancing - Shingle dancing is a form of solo dancing akin to tap dancing, of African American origin, usually associated with old-time music. A shingle dancer dances on a small wooden platform (typically no more than about 30 inches square), sometimes equipped with a bell or a loose piece of metal to allow additional percussive effects.

Dancing In The Dark - Dancing in the Dark was a Springsteen music video featuring a break out appearance by Courteney Cox.

Bass run - A bass run is an instrumental break in which the main vocal or melody line rests (pauses, takes a "break") and the bass instruments and line are given the forefront. The technique seems to have originated in the marches of the "Sousa school", though its resemblance to call and response techniques familiar to African American musicians indicates an earlier origin.

International Posse - The In/P (International Posse) is one of Florida's largest and most violent gangs. The gang originated in the Miami area of South Florida in the late 1980s and early 1990s as a break dancing crew.

breakdancingorigin

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